Symphony.exe (US, 2026)

Symphony.exe is a long-form experimental audiovisual composition structured in four movements.

The work explores sound as an architectural system unfolding in time. Music and image operate as a single process: abstract geometry, rhythmic synchronization, and evolving structures form a machine-like ritual in which sound generates space and space reacts to sound.

The visual layer is entirely abstract and non-figurative. There are no performers on screen. Geometry, lines, grids, and shifting forms respond directly to the musical pulse, creating a sense of an autonomous system in continuous operation. The absence of bodies shifts attention away from performance and toward process, allowing the work to be experienced as an audiovisual structure rather than a concert document.

Each movement develops its own internal logic, with micro-climaxes and transitions that articulate the larger form. Density, scale, and rhythmic intensity change gradually, emphasizing transformation over narrative. The work avoids illustration and symbolism, focusing instead on perception, repetition, and temporal architecture.

Symphony.exe is conceived as an abstract audiovisual environment—part ritual, part machine—inviting the viewer to observe how sound organizes space and how structure emerges from rhythm.

The piece is designed to function autonomously, without explanatory text or imagery, and can be experienced both as a cinematic projection and as a sound-driven visual installation.